
BEFORE THE ARCHITECT – HOME DESIGNING BACKGROUND – UNIQUE HOME DESIGN ARTICLES
HOME INTERIOR DESIGN MISTAKES
By Before The Architect
Copyright 2009 Before The Architect
Dear AG, .... I have not fully investigated your website, but I COULD NOT WAIT to contact you after reading some of your quotes. (I believe I read quotes V.) Whether I ultimately do any business with you or not, just know that there is yet another person you’ve reached dead on the money! As I looked over some of the site (I googled “colonial house remodeling” and got that page on your site), I thought it was extremely informative for a website, not just some tease to sell me something. Then I went to your homepage and learned about you. All that was enough to make me want to find you and do business with you and learn from you and build something you drew, but the over-the-top, out-of-this-world, can-it-be-possible comments that made my head spin were the ones about your real understanding of what your wife brings to the process and your respect for her and her abilities. So you know something about me, because of what is important to me, but even if you didn’t have any other partner in the work, I appreciate your attitudes and priorities.
Now, I’ll
go back and read your whole site and buy whatever you suggest. (I have read,
filed, drawn a million things, but nothing has made me want to really build, as
much as what I’ve learned about you. Well, A Pattern Language and the
series of Not-So-Big House books called out to me, as well, but never
enough to prompt an e-mail!)
I just
didn’t think there was a person like you anywhere, and I am inspired anew just
knowing that there is.
Most
sincerely, DK, Stamford, CT
PS: I’m a 52-year-old wife and mom with some remodeling experience -21,000 square feet of historic renovation in Charleston, SC- and burnt out with the whole thing, and now contemplating doing a smaller, more personal addition to a straight-forward brick colonial.
. . . . . . .
INTRODUCTION
In working with home interior design
four decades and more, I’ve found that some design mistakes occur over and
over. Mistakes in home interior design involve furniture, fixtures,
arrangement, and decoration. If you’re living with them and you're ok with
it, pay no mind. If not, maybe you can fix it. If
you’re selling with these home interior design mistakes, then, in my opinion, you diminish your sales
opportunities. Buyers tend to get hung up on what they don’t expect, and it
distracts from their ability to see what’s important and that can discount value.
Of particular interest to me is that
wealth is no indicator of interior design quality. Page through realtor
websites featuring interiors of homes for sale and you’ll see that, even at the
high end, money doesn’t necessarily buy good home interior design sense.
Often I see palatial exteriors, the interiors of which scream "we bought over
our heads."
Interior design skills present
patterns. Strong skills present strong patterns. Strong patterns satisfy
expectation, let you get vicarious and comfortable, resonate your self. Weak
skills present weak patterns. Weak patterns confuse, conflict, put you off.
With strong patterns, you remember the space. With weak patterns, you remember
the stuff in the space. To my mind, weak patterns of home interior design
insult and reject you.
Here are several moments when what
you’re looking for in home interior design is not what you’re getting.
HOME INTERIOR DESIGN MISTAKES
The style of
the home doesn’t match the interior design or décor. The most frequent
offense: Traditional house style and Modern outfitting. In most cases,
buyers are looking for Traditional furniture and fabrics. For example, oriental decor
became popular long ago in America, and has been used regularly in many
decorative applications in homes. It adds color, art, and finesse to any
room. In my opinion, it’s much easier to include Traditional style in a
Modern structure than the other way around. The former – Traditional in
Modern – can work consistently throughout a residence, the latter – Modern
in Traditional – only selectively and with careful consideration.
Poor interior
décor selection. Cheap looking. Sparse – too little furniture, no
carpets or, worse, carpet remnants in the
living room; no carpet under the dining table or in other gathering,
community spaces seems to
be the trend. A carpet anchors tables, chairs, sofas etc. Bare walls and
in-your-face wallpaper also detract from making a room feel finished and
welcoming and warmer and quieter. Chandeliers made of antlers, animal hides
and heads are okay for lodges and castles. You’re looking for a symphony of
home interior décor to inspire you. This is 2009 and decorating with ‘50’s
furniture or furniture that leaves the style of the home at the front door
detracts from the feel of the tradition of the style. It’s fine to
present the unusual if that’s
what you like to live with, but it doesn’t help in selling a home when
buyers don’t have the same taste.
Paint colors
that don’t add to the interior; they detract from it. You’re looking
for rooms with a move-in feeling and not 'this is going to cost me plenty to
repaint.' Bright green coffers, shiny black trim, purples and browns etc. are
personal colors, not selling colors.
Darkly stained
wood beams, coffers, casings can be overpowering. Dark makes a space
appear smaller and masculine, so keep stains for the library, game room or
bar, unless it is being used sparingly elsewhere. In other rooms, dark can
unintentionally betray the openness of larger spaces making them feel
smaller and confining. Further, too many stains together in the same room,
can look thoughtlessly cobbled and inelegant unless artfully
presented. You’re looking for wood grain and depth and solidity; you’re
getting heavy, dark, and mismatched.
Drapes that
cover up windows even when the drapes are open. So dowager empress.
You’re looking for daylight, bright and cheery and you’re getting old
Europe.
Fireplaces that
just aren’t right. Stone for a
fireplace that looks like it came from a kit. Or too many textures. Fireplaces are one of the central gathering points of a home.
If there’s stone on the exterior, then
interior stone on the fireplace, should match in looks.
The same goes for firebrick full-faced
forward rather than on-end. Full-faced looks to me like an industrial
furnace; on-end presents the firebox, surround, and hearth.
Finally about a fireplace: if it’s not
centered on its wall, then its off-centeredness needs an obvious, visual
explanation. Largely beyond remediation, these are choices you’ll make and
live with – not likely fix.
Media rooms
arranged so that not all the seating faces the screen. You’re looking
for a private theatre and there’s a couch on a sidewall. Dark staining in
this space is ok. So is other than a matte finish for wall and ceiling
coatings.
One size décor
to fit all spaces. Proportions of furniture, fixtures, and
decoration are key ingredients in home interior design. Big almost
always trumps small. Almost always. A little picture hanging
alone on a big wall? A 2-cushion sofa, chair, and 18” round coffee
table as the only furniture in an 18’x22’ space? You’re looking for
conversation and task groupings that welcome and you’re seeing desperate and
over-their-heads or out-of-their-minds.
When big is
too big. You can see it most often in dining spaces. It’s not entirely
on owners that the dining furniture’s shoehorned in there; home designers
seem all but programmed to draw up dining spaces of all sorts – formal,
informal, bar stool, banquette, porch picnic – too small. In goes
the 36” wide table, 6 chairs, and a serving buffet or the like. Sit down
for dinner with a foot behind each diner. Or sit on the bar stool and block
the hallway. You’re looking for relaxed and comfortable and you’re getting cramped
and claustrophobic.
10. Chaotic coffers. There are, to my sense of it, two home interior design choices for coffers, not three. One is lightly, or thinly, stripped and built-up as paneling, if not, in fact, paneling, built down to about three inches or so and laid out symmetrically. Two is deep profile, systematically sized, boxed channels laid out as though covering real beaming, in order to convey apparent structure. Wonderful. Three – the not a choice – is same-size, checkerboard, boxed, deep profile channels symmetrically spread on a ceiling like a quilt. This mention of coffers is for your discernment.
11. Kitchens from hell. Don’t let them tell you that the kitchen triangle is a thing of the past. Kitchens outside the triangle are designed by men who don’t cook and for house staff or “the little woman” who’ll struggle through meal preparation, serving, retrieval, and clean up. Not for you. Not for me. You can workflow inside a triangle – thoughtfully done all the time. Another big pet peeve of mine is when a wall oven or any other kitchen appliance, including the kitchen sink, is set in a pathway. This setup is a safety hazard plain and simple. I’ve seen this kitchen-hallway home interior design failure more often in higher-end kitchen’s where the obligatory island confounds proper arrangement of appliances.
· · · · · · ·
About Us ◊ jrp2h2000@yahoo.com ◊ 770-889-6964 ◊ Site Map• Privacy Policy
· · · · · · ·
(If this is your first visit to Before The Architect, please consider spending a few moments looking over the Site Map, in order to get a feel for the website design. Before The Architect E-mail: jrp2h2000@yahoo.com.)